For me, abstract painting and collage are a way of playing with shapes, colours and textures – sometimes carefully planned, sometimes shaped by chance. I’m fascinated by what happens when elements are taken out of their original context and brought together in new ways. The...
After conducting my publication design course twice at RMIT Vietnam, I decided to initiate a publication on book design, more specifically, a presentation of students’ works from 2017 and 2018 to consolidate the idea of: “Print is not dead”. The book – supported by the...
Signs of Saigon is documenting and investigating on urban typography in Saigon and beyond. When working at RMIT Vietnam, Saigon South Campus, I had the chance to turn my passion into an academic research project, focussing on the „visual identity of the city“. Visit the project...
Saigon is a mega city with probably 10 million people, the economic center of a socialist republic with a capitalist market economy, formerly French colonialised. Saigon is a city of contrasts, a city with a moving history and a city that is almost overtaking itself...
Imitation strongly encouraged! The results of the students’ “Experimental Typography” seminar were presented in a book – designed by the students themselves and published by Linotype Library, Bad Homburg. After a theoretical introduction to the historical development and significance of experimental typography, the theme of...
“Typography can be art under certain circumstances” – this claim comes from Kurt Schwitters, the German artist, painter, poet and commercial artist, co-founder of the Merz art movement, later known as Dada – even, or perhaps especially, when you can no longer read it. Among...
Facilitating change by questioning, observing,
collecting, making and encouraging – deeply human
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