typography

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Print is not dead

After conducting my publication design course twice at RMIT Vietnam, I decided to initiate a publication on book design, more specifically, a presentation of students’ works from 2017 and 2018 to consolidate the idea of: “Print is not dead”. The book – supported by the...

Signs of Saigon

Signs of Saigon is documenting and investigating on urban typography in Saigon and beyond. When working at RMIT Vietnam, Saigon South Campus, I had the chance to turn my passion into an academic research project, focussing on the „visual identity of the city“. Visit the project...

Teaching: Publication Design

Print is not dead – in this project, students had the opportunity to explore the book as a medium that offers multiple design possibilities, satisfying human needs while nourishing several of our senses. A medium that can provide an unparalleled immersive experience. In addition, students...

Teaching: Typography

How do basic letterforms differ? What relationships arise, depending on their position in two-dimensional space? How can we promote and prevent legibility? How do “construction and deconstruction” affect basic letterforms? – These were simple research questions the students, began to work on in my typography...

Urban Typography in Saigon

Saigon is a mega city with probably 10 million people, the economic center of a socialist republic with a capitalist market economy, formerly French colonialised. Saigon is a city of contrasts, a city with a moving history and a city that is almost overtaking itself...

trytype – experiments in typography

Imitation strongly encouraged! The results of the students’ “Experimental Typography” seminar were presented in a book – designed by the students themselves and published by Linotype Library, Bad Homburg. After a theoretical introduction to the historical development and significance of experimental typography, the theme of...

Experimental Typography

“Typography can be art under certain circumstances” – this claim comes from Kurt Schwitters, the German artist, painter, poet and commercial artist, co-founder of the Merz art movement, later known as Dada – even, or perhaps especially, when you can no longer read it. Among...

PROF. STEFFI W. NEUKIRCHEN

Fascilitating change by questioning, observing,
collecting, making and encouraging – deeply human

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